BBC One Show – Alex Jones – Mother of All Challenges
We were hired to film aerials for the BBC One Show’s Mother of All Challenges with Alex Jones for Sports Relief at Dorny Lake which was the venue for the 2012 Olympic Rowing.
The shots were used for the event promotion and general advertising, One Show and Sports Relief social media campaigns. Full details about the challenge can be viewed on the Sports Relief website here: www.sportrelief.com/news-and-tv/mother-of-all-challenges
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How Close Can a Drone Fly to People and Buildings? The Ground Rules Behind a Commercial Booking
How close can a drone legally fly to people and buildings in the UK? This piece sets out the ground rules in plain terms: the Open category subcategories A1, A2 and A3, the 120 m height limit, the separation kept from uninvolved people and from residential, commercial, industrial and recreational areas, what "uninvolved" means for your own staff and visitors, and why a Specific category Operational Authorisation is what lets a commercial operator work closer on a busy site.
How Airspace Affects Your Drone Flight: What Sits Above Your Site and What It Means for the Booking
Every drone flight takes place in airspace, and airspace begins at the ground. This guide explains, in plain terms, the difference between controlled and uncontrolled airspace, the permanent prohibited, restricted and danger areas, the hazards marked on the chart, and the temporary restrictions that can appear over a site at short notice. It sets out how Drone Media Imaging checks a site before quoting and again before flying, and what a client should expect to hear back about the booking.
Aerial Imagery in an Insurance Claim: Who Commissions It, and What It Has to Show
Aerial imagery enters an insurance file by three routes: a loss adjuster who cannot safely reach a roof, a broker placing or renewing cover on a large building, and a policyholder who wants an independent dated record before a repair covers the evidence. This piece sets out what each uses the images for, and the five things that make a set of photographs acceptable to a sceptical reader: dated, placed, systematic, unaltered, and accompanied by a plain account of what was observed.
