A cold and frosty morning in Doncaster at Blyton Park Driving Centre – out with the drones and the BBC One Show team filming an article about potholes!
The One Show’s presenter Iwan Thomas presents the piece and overseas the competition judged by some eminent people in their field, Victoria Hazael (Cycling UK), Vince Crain (The AA), Keith Jones (Institution of Civil Engineers). The filming took place on Blyton Race Track in Lincolnshire, where three large potholes were repaired and reviewed. They will be testing out pothole repair technologies on the racing circuit itself and we will be providing supporting cinematography from an aerial perspective!
Watch the One Show here: https://www.youtube.com/watch?v=UPqk2OEMYpU



Flown the Same Way Each Visit: The Aerial Progress Record on a Construction Site
A construction site changes faster than almost any ground we fly, and the question asked six months later is usually about a day that has already passed. Repeat aerial capture answers it, but only if the visits are genuinely comparable. This piece sets out what has to stay fixed between flights, the ground sample distance, the overlap and the time of day, why control is re-established on every return, and where the method stops.
A Thermal Picture Is Not a Finding: What a Solar PV Survey Report Has to Carry
A thermal image shows that something on a solar array is warmer than its neighbours. It does not say which module, how much warmer than what, how serious it is, or what should happen next. This is what turns an anomaly into a located, classified and prioritised finding, what the reporting requirements of IEC 62446-3 ask a survey report to carry, and why that document is a different object altogether from a set of thermal pictures.
What Makes a Roof Photograph Worth Having
Roof inspection by drone is a crowded service, and most of it is genuinely the same. What varies is whether the photographs answer the question that prompted the enquiry. This post looks past the flying at the images themselves: why distance, angle and light decide what a frame resolves, how a detail shot becomes evidence when a wider frame places it on the building, and the things no photograph of a roof will ever tell you.
















