Sometimes there can be amazing stories right under your nose and occasionally our work with our drone cameras can bring them to light. When we were asked to film at Barfoots Farms for the BBC One Show, I’m ashamed to say we had not ever come across them before. So of course we turned to our friend the internet to let us find out more about the story.
What we discovered was that there is a chap called Peter Barfoot who has really changed our lives in terms of what we serve up onto our dinner table through his work on his farms across the south east and a lot of folk have never heard of him. Courgettes and sweetcorn are considered everyday type of vegetables now but this certainly wasn’t the case until the mid 70’s and Barfoot Farms are the folk that we have to thank for this in large part (as well as for tenderstem broccoli, pumpkins, sweet potatoes and a whole lot more). When Brits started to travel abroad and get an appetite for ‘foreign fruits and vegetables’, Peter saw an opportunity to grow and supply this semi exotic fare here in the UK and so it began, growing to an empire with more than 200 staff today keeping us fed with all the veg that we love. So there we go, I’ll feel differently about my dinner plate now I know a little more about what it took to get it there.
So I’ll spend the day down at Sefter’s Farm down near Bognor Regis, providing aerial cinematography to complement the finished piece and I can’t wait to find out more about the whole story during filming.
You can learn more about Barfoots Farms on thei website hire: www.barfoots.com



How Airspace Affects Your Drone Flight: What Sits Above Your Site and What It Means for the Booking
Every drone flight takes place in airspace, and airspace begins at the ground. This guide explains, in plain terms, the difference between controlled and uncontrolled airspace, the permanent prohibited, restricted and danger areas, the hazards marked on the chart, and the temporary restrictions that can appear over a site at short notice. It sets out how Drone Media Imaging checks a site before quoting and again before flying, and what a client should expect to hear back about the booking.
Aerial Imagery in an Insurance Claim: Who Commissions It, and What It Has to Show
Aerial imagery enters an insurance file by three routes: a loss adjuster who cannot safely reach a roof, a broker placing or renewing cover on a large building, and a policyholder who wants an independent dated record before a repair covers the evidence. This piece sets out what each uses the images for, and the five things that make a set of photographs acceptable to a sceptical reader: dated, placed, systematic, unaltered, and accompanied by a plain account of what was observed.
Hiring a Drone Operator: The Paperwork to Ask For, and What Each Document Proves
Booking a drone operator means checking paperwork, and the names have changed since most checklists were written. This piece sets out the three families of document a client should ask for, registration, authorisation and insurance, what each proves, and the pairs most often confused: an Operator ID against a Flyer ID, an Operational Authorisation against the retired PfCO, a GVC against an A2 CofC. It closes with the paperwork that belongs to your job rather than the operator.
















